spacerbody | color | collections | commodity | cube | document | fabric | fetish | gender | glass | home | identity | living | machine | metal | minimal | mobility | narrative | olfactory | organic |
spacerpain | paper | plastic | plugs | power | protective | rectangular | ritual | round | sound | souvenir | spiritual | style | text-based | time | tool | touch | uniform | value | visual | warm | wood

spacer Book: Colonial Discourse and Post-Colonial Theory spacer  

Narrative: Colonial Discourse and Post-Colonial Theory
Edited and introduced by Patrick Williams and Laura Chrisman
Columbia University Press; Printed on permanent and durable acid-free paper
Printed and bound in Great Britain at the University Press, Cambridge
ISBN-10: 0231100213

The paper was made from pulp obtained by chemical means, known as kraft pulping. Chips of wood were placed in a large, sealed container known as a digester. The digester contained a strongly alkaline solution of sodium hydroxide and sodium sulfide. Bleaching removes lignin and involves mixing the pulp with a series of oxidizing chemicals that react with the lignin. After each mixture, the pulp was washed with an alkaline solution that removes the treated lignin. Fillers were added to the pulp. (A typical filler is a clay known as kaolin. Other chemicals often added to pulp include starches or gums. Rosin and alum are often added as sizers, making the paper less absorbent.) Pulp was added to water to form slurry in order to make paper with an even density. The slurry was pumped onto a moving mesh screen made up of very fine wires of metal or plastic. Water drained through the small openings in the mesh, and formed a sheet of wet material from the slurry. The sheet was moved on a series of belst made of felt containing wool, cotton, and synthetic fibers. The dried sheets moved between rollers known as calendars to make it smooth.

This volume explores such issues as the nature of colonized cultures and anti-colonial resistance; subaltern historiography; constructions of Western subjectivity, knowledge, and gender; the formation of post-colonial intellectuals; the metropolitan institutionalization of post-colonialism; neo-colonialism; and the nature of minority and post-colonial identity and discourse. One section is devoted to the application of theoretical formulations to cultural criticism, and contains a number of textual analyses. A general introduction to the volume as well as introductions to each section provide historical, theoretical, and political contexts for the readings. The book concludes with an extensive bibliography. I purchased this used book through Amazon.com during the summer of 2010 for 10.07 + 3.99




  mary mattingly