body | color | collections | commodity | cube | document | fabric | fetish | gender | glass | home | identity | living | machine | metal | minimal | mobility | narrative | olfactory | organic |
pain | paper | plastic | plugs | power | protective | rectangular | ritual | round | sound | souvenir | spiritual | style | text-based | time | tool | touch | uniform | value | visual | warm | wood
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Paper: Black Journal 5 |
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Narrative: Black Journal
The paper was made from pulp obtained by
chemical means, known as kraft pulping. Chips
of wood were placed in a large, sealed container
known as a digester. The digester contained a strongly alkaline
solution of sodium hydroxide and sodium sulfide. Bleaching
removes lignin and involves mixing the pulp with a series
of oxidizing chemicals that react with the lignin. After
each mixture, the pulp was washed with an alkaline solution
that removes the treated lignin. Fillers were added to the
pulp. (A typical filler is a clay known as kaolin. Other
chemicals often added to pulp include starches or gums.
Rosin and alum are often added as sizers, making the paper
less absorbent.) Pulp was added to water to form slurry
in order to make paper with an even density. The slurry
was pumped onto a moving mesh screen made up of very fine
wires of metal or plastic. Water drained through the small
openings in the mesh, and formed a sheet of wet material
from the slurry. The sheet was moved on a series of belst
made of felt containing wool, cotton, and synthetic fibers.
The dried sheets moved between rollers known as calendars
to make it smooth.
Sourcemap: White paper sourced from Georgia and leather and notebook assemblage in France. JIN CHI LIMITED specializes in manufacturing all kinds of paper products, including Moleskine notebooks. The factory is located in Zhejiang Province, China. This cover was designed by artist and friend Taeyoon Choi in a collaboration with Moleskine through Eyebeam Center for Art and Technology.
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